Issue Zero – Opuscule
Europas & bulls
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A logo might start as a designer’s whim. Only then does one look for meanings to fill it with. On Europas: mythic, artistic, fictional, political, psychological, satirical, and finally unfinished.
A messy optical process
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On orthodoxies & heresies of typography. To serif, or sans-serif?
The myth of 1922
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What does modern mean? In Brazil, it often meant an embrace of newness as the possibility of reinvention. In Modernity in Black and White: Art and Image, Race and Identity in Brazil, 1890-1945, Rafael Cardoso unravels the myth of 1922.
The pinnacle of cartography is the pinnacle of uselessness
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« Europe », drawn from memory or intuition. Thick and thin strokes of charcoal: a nod to the coal and steel on which the polity of modern Europe is founded. But more mystical, too: these drawings represent « the conviction that simple tools can grant us the power to face the god of paper. »
Football is not football
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How do literary movements arise? About thirty years ago, I watched one emerge out of nothing: the subgenre of « literary » football books and magazines. Not exactly the birth of modernism, but it still taught me something about how cultural transmission works within Europe.
The ordinary jacket of today
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The ERB doesn’t stand in competition with magazines we love; it joins them, and does so in admiration. This project has made us encounter literary magazines we hadn’t read before and discover beautiful magazines in languages we wish we could read.
On the anti-poetry of « crowdfunding campaign »
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Kickstarting used to be something you did to an engine. To « kickstart » the European Review of Books makes it feel like we’re riding a motorcycle in World War I. But we only want peace!
Infrequently Asked Questions
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Who, what, and why? Imagine something called, say, the Zemblan Review of Books, or the Esperanto Review of Political Theory, or the Klingon Review of Horticulture, or the Utopian Review of Bicycles.